Mumbai Film Scene Left Audiences Underwhelmed: Director's Latest Thriller Loses Steam Amid Criticisms

In "Despatch," Kanu Behl's latest thriller, actor Manoj Bajpayee gives a lackluster performance as Joy, an investigative journalist delving into corrupt scandal within the world of Indian sports. The film's awkward tone and uncomfortable subject matter have left audiences underwhelmed, criticizing director Kanu Behl for his unsympathetic portrayal of male characters.

While "Despatch" tries to recreate the paranoia-filled mystery seen in classic thrillers of the 1970s, such as "All the President's Men," its protagonist Joy fails to evoke sympathy from viewers. Bajpayee's performance doesn't add much depth to the character, only intensifying his negative traits.

Critics argue that Behl's male-centric films often perpetuate a jaundiced view of masculinity and gender politics. Here, sex is rarely associated with pleasure, instead depicted as uncomfortable or transactional. This depiction has received criticism from some, who feel it reflects an unsavory attitude towards women on screen.

The only redeeming factor in the film seems to be the supporting cast, including Kabiir Sadanand and Salim Arif, who add depth to their respective scenes. The movie's climax features Dilip Shankar as a powerful lawyer with a chilling performance that showcases his mettle.

However, with more criticism than accolades surrounding it, "Despatch" has become a case study for why the Hindi mainstream is often reluctant to tackle provocative subjects honestly and effectively. Despite promising to expose uncomfortable truths about Indian society, Behl's latest work fails to deliver on its promise, instead becoming an uneasy watch that leaves audiences underwhelmed.

"Despatch" tries to do too much with a seemingly mismatched script that often feels like it's struggling to find the right tone," said a film critic who preferred some of the director's previous works. "It will keep you engaged until it almost inevitably drops out on the lines."

With such an uncharismatic lead figure as Joy, coupled with uninspired character development, Behl seems to prioritize more the sensational aspects of his plot over giving substance and empathy to his protagonist.